![]() The film’s first half-hour is based on actual events from the life of Laika, who was shot into space on November 3, 1957, but the remaining 60 minutes are pure fiction. I think it’s a big topic, and a perfect fit for animated film,” says Klimt, the movie’s art director, screenwriter, editor, director, and producer all rolled into one. “I find it fascinating how humans put themselves above other living creatures on Earth, how they decide whether or not they have the right to exist, and how haughtily they treat them, especially in the name of science. Suddenly the animals’ harmonious lifestyle is in jeopardy. After a short time, however, they are joined by Russian astronaut Yuri Leftkin, followed, in true Cold War spirit, by his American rival, Neil Knockout. The animals wander around the cosmos before settling happily on a distant planet where they befriend the local life-forms. In the wake of Laika’s launch, other animals are also shot into space, not only from Russia, but also from the United States. It tells the hard-knocks story of Kudryavka, a street dog on the outskirts of a Russian megalopolis who is caught and forced to become a pioneer of space travel, changing her name to Laika. Now, Aurel Klimt’s Laika, currently in production, is also science fiction, but in musical theater style. The Christmas Ballad(2016), a puppet short by Michal Žabka, with a screenplay by the late great of Czech puppet animation, Břetislav Pojar, was an attempt at animated sci-fi. #Laika films produced series#First Snow (2015), a student film by Lenka Ivančíková, introduced animal puppets, and Deep in Moss (2015), by Filip Pošivač and Barbora Valecká, which started life as a short film before being reborn as an online TV series at, featured fantastical forest creatures. Radek Beran’s feature-length The Little Man (2015) brought the aesthetics of puppet theater into Czech film, showing clearly the puppets’ strings and wires, while Jan Balej, in Little From the Fish Shop(2015), combined puppets with digital animation. Most of them build on the storied tradition of Czech puppetry, but several have shown an ambition to branch out in a new direction. The titles were previously released on Blu-ray and DVD by Universal Pictures Home Entertainment.The Czech Republic has upped its output of puppet films in recent years, in every genre: shorts, student films, features, and TV series. The content deal was negotiated by Jordan Fields, VP of acquisitions, and Steven Katz, VP of business affairs for Shout! Factory, and Laika’s Michael Waghalter, head of business development, and Colin Geiger, general counsel and head of business affairs. We look forward to a long and impactful relationship with these industry leaders.” “Their ability to maximize value for legacy titles by bringing films to entirely new audiences well after their theatrical release cycle is unparalleled in the industry. “We’re delighted to launch our partnership with Shout! Factory,” said David Burke, Laika CMO and SVP of operations. We’re incredibly excited about this new opportunity with Laika and look forward to presenting these beloved films with enlightening extras and lavish packaging to fans and collectors everywhere.” “Their legendary ingenuity, independent spirit and storytelling have inspired us and continue to entertain audiences worldwide. “We’ve been huge fans of Laika, Travis Knight, and his extraordinary team,” said Melissa Boag, SVP of family entertainment at Shout! Factory. #Laika films produced free#Subscribe HERE to the FREE Media Play News Daily Newsletter! As excitement builds for these upcoming home entertainment product lines, Shout! Factory and Laika will announce additional news and activities in the forthcoming months. Leveraging access to archived content from Laika, new bonus content, collectible packaging, and specialty releases are in development. home entertainment distribution rights in all packaged media to Laika’s first four Oscar-nominated films: Kubo and the Two Strings (2016), The Boxtrolls (2014), ParaNorman (2012) and Coraline (2009). The multiyear agreement provides Shout! Factory with U.S. 8 announced a new alliance to distribute the latter’s first four award-winning legacy films in the U.S. Shout! Factory and animation studio Laika Feb. Characters from the four Laika films Shout! Factory will distribute to home entertainment platforms in the United States (photo courtesy of Laika Studios) Shout! Factory Cuts Deal for Four Laika Films, Including ‘Coraline’ ![]()
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![]() In the survey, arriving passengers were asked to rate the relative importance of 15 airport fea. Likely to occur at border protection and at baggage claim.ġ02 Guidelines for Improving Airport Services for International Customers Ing anxiety among passengers arriving on an international flight, research suggests this is most Include general travel anxiety, jet lag, travel fatigue, culture shock, and language barrier. ¢ Terminal arrivals roadway/ground transportationĪs described in Chapter 2, challenges experienced by international arriving passengers may Arriving passengers continuing on to their final destination via a connectingĪs described in Chapter 2, the journey of an international arriving passenger includes the Passenger whose final destination is the community served by the airport at which they arrive in This chapter covers the international arriving This evaluation tool is intended to facilitate dis-Ĭussion among airport stakeholders about their current operation and identify opportunities toįigure 4-1 illustrates the journey of an international arriving passenger. A journey segment evaluation tool is provided at the end of each section, highlighting theīasic requirements and notable innovations. Each section identifies the passenger needs and expectations and aĭescription of the basic requirements, notable innovations, performance requirements (whereĪpplicable), and implementation considerations for each step of the international arrivals jour. The purpose of this chapter is to provide airport stakeholders with a set of tools to evalu-Īte their international arrivals experience and identify innovative approaches to enhance thatĮxperience for passengers. To metropolitan areas, regions, or leisure destinations. airports for connecting passenger traffic, as the gateway airports compete with foreign airports to create a world-classĬustomer experience, and with other U.S. Improving the passenger experience for international arriving passengers has become a majorįocus of many U.S. Because it is UNCORRECTED material, please consider the following text as a useful but insufficient proxy for the authoritative book pages. Below is the uncorrected machine-read text of this chapter, intended to provide our own search engines and external engines with highly rich, chapter-representative searchable text of each book. ![]() ![]() But her very next partner was also a warrior bandit. She did leave him behind and move back with her parents before he was killed in a gunfight in 1874. Her husband, though, was a wanted criminal. She became part of the gang, mostly as a tagalong. From there, things happened pretty quickly for Myra Maybelle. He and Belle fell in love and married in November 1866. Jim Reed, a childhood friend of the Shirley family, came with them to hole up at the Shirley’s Texas spread. In 1866, the James brothers and Cole Younger gangs fled Missouri after robbing their first bank. The Shirley farm in Texas was an ideal outlaw hideout. This drove the Shirley family to Texas, where their daughter would become a legendary outlaw. The Union also burned their town, Carthage, as part of an effort to remove everyone from the border areas, no matter which side they took in the Civil War. Sometimes the bushwhackers killed their victims and any time they interacted with the Union infantry the motto was “take no prisoners.” Other warrior bandits who began the terrorist life as bushwhackers included Frank and Jesse James.īud was killed in 1864, and it was a turning point for his sister and the rest of the family. As the name implies, they would jump out of hiding to torment and steal from the locals, many of them Union-sympathizing farmers. He was one of the “ bushwhackers,” small bands of renegades who hid in the Missouri backcountry to resist the Union army’s occupation. One of her relatives who may have led her astray was an older brother, Bud. So it wasn’t a foregone conclusion she’d end up hanging out with bandits in the border states. Belle’s formal education included classical languages. Her parents were affluent and owned an inn and a tavern. She was born in Missouri February 5, 1848, and started living in Carthage, Missouri when she was two. The Wild West outlaw started life with the name Myra Maybelle Shirley. ![]() ![]() ![]() #Syntorial. modMod Wheel, Pitch Wheel and Velocity controls.Distortion, Chorus, Phaser, Delay, and Reverb effects.Unison with Voice, Detune and Spread controls.LFO with four waveforms, seven destinations, rate, amount, trigger, and mono/poly modes.Filter (Low, Band and High Pass) with Resonance and Key Tracking.Saw, Pulse, Triangle and Sine waveforms.Three Oscillators (Two with Waveform, Pitch, Pulse Width, and Mix controls, and a Sub oscillator with Waveform and Volume controls).On Your Own: Syntorial will give you periodic tasks to be carried out on your own with whatever synth(s) you use.Quizzes: Multiple choice questions to help you retain and remember everything you learn.After all, that’s what it’s all about, right? By the end you will have programmed tons of patches, from simple to complex, familiar to strange. Videos: Everything is taught through video demonstrations using the same synth that you’ll use in the challenges.Challenges: Learn by doing! Complete challenges by programming patches with Syntorial’s built-in synth.By the end of the program you’ll be able to take the sounds you hear and re-create them, completely by ear. It's All About The Ear: One step at a time, Syntorial trains your ear to recognize how each control shapes and manipulates sound.This is information that you can immediately apply to real-life situations. For Musicians, Not Physicists: Instead of talking about the science and physics behind synthesizers, Syntorial will show you how each control effects sound, as well as when, why and how you would use them when designing sounds. #Syntorial. how toYou aren’t just learning how to design sound, you are becoming a sound designer. It engages you in Interactive Challenges in which you program patches on a built-in synth. Interactive Learning: Syntorial doesn’t just show you how synth programming works. ![]() * Electronic Musician Editor's Choice 2014 * A unique and fun way to train your ears in re-creating synth sounds.” - MusicTech Magazine “The best training in synth sound-design we’ve come across. "The most comprehensive and fun tool for learning synthesizer programming, hands down." - Keyboard Magazine "Syntorial is the most direct route between hearing a sound in your head and knowing how to bring it to life." - Electronic Musician Magazine By combining video demonstrations with interactive challenges, you’ll get hands on experience programming patches on a built-in soft synth, and learn everything you need to know to start making your own sounds with ease. Syntorial is a synthesizer training app, that will teach you how to program synth patches by ear. ![]() ![]() The chanter is often played resting on the piper's thigh, closing off the bottom hole, so that air can only escape through the open tone holes. #Scottish bagpipe player festival fullThe chanter has a range of two full octaves, including sharps and flats (because, unlike most bagpipe chanters, it can be overblown to produce the higher octave ). The chanter is played with the fingers like a flute. The air goes from the bag to the chanter, drones, and regulators. The bag which the bellows fill is clamped under the other elbow, which squeezes the bag to control the flow of air to the reeds (which make the notes). Some pipers can converse or sing while playing. ![]() The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry air to power the reeds, reducing the adverse effects of moisture on tuning and longevity. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player in the case of a left-handed player the location and orientation of all components are reversed). People mistook the term 'union' to refer to the 1800 Act of Union this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. ![]() It was an invention of Grattan Flood and the name stuck. ![]() There is no historical record of the name or use of the term uilleann pipes before the 20th century. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms píobaí uilleann (literally, "pipes of the elbow"), from their method of inflation. The uilleann pipes ( / ˈ ɪ l ə n/ ( listen) IL-ən or / ˈ ɪ l j ə n/ IL-yən, Irish: ) are the characteristic national bagpipe of Ireland. ![]() ![]() ![]() Prepare the cake mix according to package directions. Place in a medium sized bowl along with 1/3 c of cherry flavored brandy. Refrigerate any leftovers.ĭIRECTIONS: Drain tart cherries then cut each one in half. When ready to serve, carefully spoon pie filling evenly over top and sprinkle with slivered almonds. Pour into a large bowl and chill thoroughly. Remove from heat and stir in almond extract. Chill before serving.ĭIRECTIONS: Melt chocolate with sweetened condensed milk in a saucepan over low heat. Make a border around the top edge with the remaining whipped topping. ![]() Spoon remaining pie filling to within 1/2 inch of the edge. Spoon half of the pie filling in the center and spread to within 1/2 inch of the edge. Cool for 10 minutes then remove from pans. Bake at 350 degrees for 30 to 35 minutes. Beat with an electric mixer on medium speed for 2 minutes. Add eggs, milk, vegetable oil and vanilla. In a large mixing bowl combine sugar, flour, cocoa powder, baking soda, baking powder and salt. ![]() Jan from Swanton sent in her recipe for Black Forest Cake.ġ/2 of an 8 oz container of frozen whipped topping, thawedĭIRECTIONS: Grease and flour two 9 inch round cake pans. Tip from The Test Kitchen: Use a small offset spatula to spread the chocolate for the trees, then use it again to easily lift the hardened trees from the baking sheet.Marcia from Adrian makes her Black Forest Torte for special occasions like birthdays and anniversaries.Įileen from Quincy says her Black Forest Pie is the perfect dessert for a hot summer day. Nestle chocolate trees on top of whipped cream. Meanwhile, in bowl, beat cream with icing sugar until stiff peaks form fold in kirsch. (Make-ahead: Cover loosely with plastic wrap refrigerate for up to 3 days.) Melt remaining chopped chocolate spoon into piping bag fitted with small plain tip. Using cookie cutters, and with a gentle twisting motion, cut shapes through to paper. Refrigerate until firm, about 20 minutes. Using 3 1/4-inch (8 cm) tall large Christmas tree cookie cutter and 1 3/4-inch (4.5 cm) tall small Christmas tree cookie cutter, press 3 large and 3 small tree shapes into chocolate. Refrigerate just until set, about 6 minutes. Scrape onto parchment paper– lined rimmed baking sheet spread to scant 1/8-inch (3 mm) thickness. Topping: While cherry filling is cooling, in heatproof bowl set over saucepan of hot (not boiling) water, melt three-quarters of the chopped chocolate, stirring, until smooth. (Make-ahead: Cover loosely with plastic wrap refrigerate for up to 24 hours.) Spoon over chocolate filling, leaving 1/2-inch (1 cm) border. Refrigerate until chilled, about 45 minutes. Remove from heat stir in remaining kirsch. Cook, stirring, until thickened, about 1 minute. Whisk cornstarch with half of the kirsch stir into cherry mixture. Refrigerate until set, about 2 hours.Ĭherry Filling: While chocolate filling is cooling, in large tall saucepan, bring cherries, sugar and lemon juice to boil over medium heat cook, stirring often and breaking up cherries with back of spoon, until sauce is beginning to thicken and cherries are broken down, about 15 minutes. Beat remaining cream until stiff peaks form fold one-third into chocolate mixture. Let stand, stirring occasionally, until slightly thickened, 15 to 20 minutes. In small saucepan, heat 2/3 cup of the cream over medium heat just until bubbles form around edge of pan pour over chocolate, whisking until smooth. ![]() Let cool completely.Ĭhocolate Filling: While crust is cooling, place chocolate in heatproof bowl. Bake in 350 F (180 C) oven until firm and dry, about 14 minutes. Refrigerate until chilled, about 15 minutes. Method Crust: Mix wafer crumbs with butter until moistened press into bottom andĪll the way up side of 9-inch (23 cm) pie plate. ![]() ![]() ![]()
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![]() ![]() Also you can provide modified custom version of node.d.ts in your custom typing root. In your custom type root you can create index.d.ts file with ///references to typyngs from types (except node.d.ts). In this case types folder won't be used for finding types anymore. ![]() Make an API call to a Node server that includes the dataUrl Use PdfKit. I chose PDFKit because it’s popular and it doesn’t require high-overhead dependencies such as a headless web browser. Set typeRoots explicitly in your tsconfig.json. I tried to import the plugin into a Typescript app and also added the code into. You can rate examples to help us improve the quality of examples. PDFKIT TYPESCRIPT PDFThere are a ton of libraries within the JavaScript/TypeScript ecosystem to generate PDF files. These are the top rated real world TypeScript examples of pdfkit.image extracted from open source projects. I found react-pdf but it doesn't have the types for TypeScript yet, so I'm using it as I show below: let Document = require('react-pdf') Ĭlass PdfViewer extends React.Component īut I doubt the error is here but I can't figure out what could be. This guide covers using PDFKit in a NestJS API to generate a PDF and send it back to a client. You can change where the text is printed within the current page, by adding the x and y coordinates of the location where you want the text to be placed as arguments to the text () function. It allows testing Chromium, Firefox and WebKit with a single API. I'm trying to use a npm library that help me to render a pdf document. By default, the pdfkit module keeps track of where text should be added to the document, essentially print each call to the text () function in a new line. 1 40,557 10.0 TypeScript PDFKit VS Playwright Playwright is a framework for Web Testing and Automation. ![]() ![]() ![]() I critically approach the extensive literature produced by scholars interested in videogames, particularly those of ludology, narratology and cultural studies, evaluating their theoretical and methodological contributions to the field. By focusing on a critical assessment of gender and sexuality politics in the making and playing of videogames, this thesis highlights the configurative nature of interactions that inform videogames culture and discusses how the political appears in videogames content, production, consumption and media. This thesis investigates the characters, plots, and images in BioWare’s videogame trilogy Mass Effect and its transmedia universe with the aim of informing what is political about videogames and where politics is found in videogames. #Mortal kombat 12 banalities mods#I observed the interactions on the forums on which these mods were posted and interviewed these women in order to draw conclusions about how women are participating the community. I looked at whether or not these women were learning technical skills. I chose two mods created by female fans as case studies. I looked specifically at how women participated in the community and whether or not they were creating content for the game. I am looking at one game which has a fairly sizeable female fan base in order to see how women are playing the game, participating in the community, and creating content: the Swedish game Minecraft. This means that men might be benefiting from these communities more than women. However, men are generally more involved than women in both playing video games and participating in their fan communities. These digital skills will become increasingly important in the new global information economy. Creating this type of content for video games requires technical knowledge, and so creating it can lead to an increased digital literacy as well as spark interest in technology careers. Mods are user created add-ons to games that can change its art or mechanics. #Mortal kombat 12 banalities mod#While skills such as programming and digital art creation are often tedious to learn on one's own, they are much more easily learned with the motivation of creating a mod (modification) for a favorite video game. The fan communities around video games can be valuable spaces for learning. The Sims 2 skinning offers an example of a productive practice that does not go beyond what we understand as gameplay, but demands revisiting the very notion of gameplay itself. Consecutively, the approach in this thesis questions the straightforwardly embracing undertone of the current Web 2.0 `buzz' that claims democratisation of media production. Such practice therefore appears different from the `high' forms of subversive user-participation that are typically cherished in the studies of media use. ![]() While skinners seem to have a possibility to change a game that results from a male-dominated game development culture, their skinning is fundamentally facilitated and invited by the game they play. This work's original contribution to knowledge is in offering a nuanced view of female game playing which resists easy assimilation to some of the dominant concepts recently in play within the field of study, such as political resistance in the form of game content appropriation and female empowerment through video game play. Furthermore, a group of women players whose engagement with the game is characterised by creation and sharing of new and altered game content, the skinning of it, appears interesting since the women skinners resist traditional gender roles by taking active, productive positions towards the game. ![]() The Sims 2 (2004) computer game sets out a unique case for a study of women's player identities because it is both exceptionally popular among women and individuated by a theme and a structure that are understood as `feminine'. Small-scale ethnography tied together with an analysis of concurrent cultural discourses and the game system's characteristics allows a deep analysis of the construction of identities that conflict with the naturalised idea of a player. Engagement in such a culture, this work suggests, is characterised by confusion and incoherence for women players who are simultaneously taking part in male dominated leisure which marginalises them and a society which assumes gender equality as an acquired right. Despite some remarkable shifts in gender demographics of game players during the last decade, computer games remain male-gendered media. ![]() |
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